In the garage-turned-workshop off his 1920s Phoenix cottage, furniture designer Kevin Irvin makes the utilitarian beautiful, one cut at a time. Irvin’s hand-hewn cabinets, tables, benches, consoles and storage boxes are simple shapes with eye-catching design elements that elevate them from pure functionality to works of art.
Frank Ybarra’s smile is like a cozy flannel shirt: comfortable and unpretentious, he’s one of those people who feels familiar, like an old trusted friend.
Writer Amanda Christmann Photographer Scott Baxter [dropcap]D[/dropcap]r. Wayne Dyer once said, “Doing what you love
Long before cowboys and pioneers, Native Americans were the epitome of the spirit of the West. They first learned to cultivate crops from the dry, brittle desert floor, and it was their ways that allowed pioneers, miners and cowboys to survive in the rugged Southwest.
Each year, the Sedona Visual Artists’ Coalition invites guests from across Arizona to visit stops on the Spring Open Studios Tour, which provides a unique opportunity for guests to visit artists in their studios. For the first time in 15 years, the tour will encompass three days of artistic insight and excitement April 27 through 29.
If you’ve ever slipped on a pair of high-end European shoes and experienced the feel of buttery soft leather gently cradling your heels and toes, you understand the allure of the opulence.
If you live anywhere in Arizona, you know that Larry Fitzgerald is more than kind of a big deal, on and off the field. He’s dedicated his entire professional career to the Arizona Cardinals and his personal time to charitable causes. He’s breaking records and earning a reputation both as a football great and an all-around good guy.
You’ve probably seen the fleet of white vans with blue Foothills Caring Corps emblems painted on the side. You may even know one or more of the many people who make up the army of Foothills Caring Corps volunteers. What you may not be aware of is just how important they are to hundreds of people.
Painter, printmaker, occasional mask-maker, and former ceramicist, Monica Aissa Martinez is a Phoenix-based artist who is of the region rather than merely inhabiting the region, her heritage reflected in subtle and not-so-subtle ways in her work.
In the early 1960s, on a 320-acre farm outside Knob Noster, Missouri, Anne Fay Swearngin cared for her grandson while doing the laundry. Without indoor plumbing, it was a time-intensive task and she feared that, unless the boy was thoroughly occupied, he might wander off and fall into the farm’s 160-foot-deep well. She handed him a bit of chalk and some crayons.