Writer Joseph J. Airdo // Phoenix Film Critics Society

Buckle up for a whirlwind review of “Twisters,” this summer’s most electrifying blockbuster. Phoenix Film Critics Society member Joseph J. Airdo dives into the eye of the storm, exploring whether this sequel lives up to the 1996 classic. Tune in to find out why he’s calling it “the most broadly appealing blockbuster of the summer” and whether it earns his coveted five-star rating.

In an era of CGI-laden blockbusters, it takes something truly extraordinary to blow audiences away. “Twisters,” the long-awaited follow-up to the 1996 storm-chasing classic “Twister,” does just that — quite literally. This summer’s most exhilarating thrill ride roars into theaters July 19, delivering a perfect storm of heart-pounding action, cutting-edge visual effects and surprisingly poignant storytelling.

Directed by Lee Isaac Chung (”Minari”), “Twisters” follows Kate Carter (Daisy Edgar-Jones), a former storm chaser haunted by tragedy who reluctantly returns to the field. Teaming up with her old colleague Javi (Anthony Ramos) and the charismatic “Tornado Wrangler” Tyler Owens (Glen Powell), Kate finds herself on a collision course with nature’s most terrifying force.

From the opening sequence, it’s clear that “Twisters” isn’t content to simply rehash its predecessor. The film’s visual effects are nothing short of revolutionary, setting a new gold standard for weather-based disaster movies. Tornadoes twist and writhe with terrifying realism, their raw power amplified by immersive sound design that will have you instinctively ducking for cover. The experience is so visceral that upon leaving the theater, you may find yourself scanning the skies for ominous clouds.

While the original “Twister” broke new ground in 1996, “Twisters” faces the challenge of a more visually sophisticated audience. It rises to the occasion spectacularly, not just through sheer spectacle but by making viewers feel as if they’re in the eye of the storm. A climactic sequence set in a movie theater is particularly meta and effective, blurring the lines between on-screen peril and the audience’s own sense of vulnerability.

At the heart of the film’s human drama is Glen Powell as Tyler Owens. Fresh off star-making turns in “Anyone But You” and “Hit Man,” Powell cements his status as Hollywood’s newest leading man. His Tyler is equal parts daredevil and compassionate hero, bringing much-needed levity and charm to balance the intense action. Powell’s “tornado hand signal” and catchphrase “If you feel it, chase it” seem destined to become pop culture touchstones.

Daisy Edgar-Jones, while earnest in her portrayal of Kate, occasionally veers into overwrought territory, particularly in flashback scenes. She lacks the grounded charisma that made Helen Hunt so compelling in the original. However, the chemistry between Edgar-Jones and Powell helps smooth over some of these rough edges.

The supporting cast, including Anthony Ramos as the conflicted Javi and Maura Tierney as Kate’s mother, adds depth to the ensemble. Keep an eye out for scene-stealing moments from Brandon Perea as videographer Boone and Sasha Lane as drone operator Lily.

While “Twisters’” primary draw is undoubtedly its spectacular effects, the film doesn’t neglect its emotional core. Themes of resilience, community and the human cost of natural disasters are woven throughout without feeling heavy-handed. The movie strikes a delicate balance between adrenaline-pumping action and moments of genuine pathos, particularly in scenes depicting the aftermath of tornado devastation.

Comparisons to the original “Twister” are inevitable, and while this sequel may not capture the same lightning-in-a-bottle magic, it carves out its own identity. The 1996 film had the advantage of novelty, introducing many viewers to the concept of storm chasing for the first time. “Twisters” acknowledges that we’re now in a different era, both cinematically and climatologically. It uses our increased awareness of extreme weather events to create a more nuanced portrayal of the storm-chasing community and its impact on affected areas.

“Twisters” is the rare sequel that justifies its existence not through nostalgia but by pushing the boundaries of what’s possible in modern filmmaking. It’s a testament to the power of practical effects enhanced by CGI, rather than relying solely on computer-generated imagery. The result is a visceral experience that demands to be seen on the biggest screen possible.

This is unquestionably the most broadly appealing blockbuster of the summer, an amusement park ride of a movie that will leave audiences of all ages breathless. Whether you’re a weather enthusiast, an action junkie or simply someone looking for two hours of pure cinematic spectacle, “Twisters” delivers in spades.

As you leave the theater, don’t be surprised if you find yourself mimicking Tyler’s tornado hand signal or muttering, “If you feel it, chase it.” “Twisters” isn’t just a movie — it’s an event, a force of nature that sweeps you up and doesn’t let go until the credits roll. Strap in, hold on tight, and prepare for the ride of your life.