From Route 66 relics to running race cars, from miniature marvels to motorcycle treasures, Arizona’s automotive museums preserve our state’s rich motoring heritage through 10 distinctive collections that showcase the machines and memories that moved America.
Francis Ford Coppola’s “Megalopolis” aims for the stars but gets lost in a labyrinth of its own making, delivering a visually stunning yet bewildering cinematic experience that leaves viewers more exhausted than enlightened.
“Greedy People” serves up a deliciously twisted tale of moral decay and unbridled avarice, keeping audiences guessing until the very end.
“Alien: Romulus” brings heart-pounding terror back to the iconic franchise, delivering a relentless thrill ride that will leave audiences breathless. Read our full review to discover why this latest entry demands to be experienced on the big screen.
“It Ends with Us” dazzles visually but stumbles narratively, offering a glossy yet shallow exploration of complex themes. Our critic weighs in on this highly anticipated adaptation.
Photographer Kelly Hahs reveals Arizona’s hidden oases and dramatic landscapes, challenging perceptions with images that rival exotic international destinations.
In “Mothers’ Instinct,” Jessica Chastain and Anne Hathaway deliver powerhouse performances as two 1960s suburban mothers whose friendship unravels into a chilling psychological thriller.
“Twisters” roars into theaters, promising a perfect storm of heart-pounding action and cutting-edge visual effects. Phoenix Film Critics Society member Joseph J. Airdo explores whether this long-awaited sequel to the 1996 classic lives up to the hype or gets lost in the wind.
“Maxxxine” caps Ti West’s X trilogy with style, but lacks predecessor’s punch.
Through her “Welcome to Arizona” photography collection, Tori Jane Ostberg invites viewers to experience the state’s lesser-known ethereal landscapes, challenging perceptions and inspiring a deeper appreciation for Arizona’s diverse natural beauty.
